Wondering what to watch on Disney+ next? Here are 11 new shows available to stream. I can recommend Chad Powers which I rated 3.5/5.
Chad Powers (2025) – [Comedy/Sports]
For fans of: Ted Lasso, Ballers, Eastbound & Down
Glen Powell plays a disgraced quarterback who reinvents himself as “Chad Powers” to walk on at a struggling college team. Created by Powell and Michael Waldron, with Eli Manning producing, it’s funny, heartfelt, and full of football absurdity. Reinvention gets a helmet.
Swiped (2025) – [Biopic/Drama]
For fans of: The Social Network, Super Pumped, WeCrashed
Lily James stars as Whitney Wolfe Herd, the visionary behind Bumble, in this slick biopic tracing her rise from tech outsider to self-made mogul. With Dan Stevens and Myha’la in support, it’s a sharp, timely portrait of ambition, sexism, and digital disruption. Dating apps changed the game—and she rewrote the rules.
The Lost Station Girls (2025) – [True Crime/Drama]
For fans of: The Serpent, The Investigation, The Staircase
Camille Razat leads this French true crime series about a decades-long hunt for a serial killer in Perpignan. Based on real cases, it’s haunting, procedural, and emotionally raw. Justice takes time—and leaves scars.
To Cook a Bear (2025) – [Nordic Noir/Period Thriller]
For fans of: The Chestnut Man, The Terror, The Killing
Gustaf Skarsgård stars as a reformist preacher in 1850s Sweden, drawn into a murder mystery that pits faith against fear. With Ane Dahl Torp and Pernilla August, it’s visually stunning and steeped in dread. The bear may not be the only predator.
Murdaugh: Death in the Family (2025) – [True Crime/Drama]
For fans of: Dirty John, The Act, The Dropout
Jason Clarke and Patricia Arquette headline this dramatization of the Murdaugh family scandal, from boating tragedy to double murder and financial fraud. Based on Mandy Matney’s podcast, it’s gripping, disturbing, and stranger than fiction. Power protects—until it doesn’t.
The Hand That Rocks the Cradle (2025) – [Thriller/Remake]
For fans of: The Gift, Fatal Attraction, The Watcher
Maika Monroe and Mary Elizabeth Winstead star in this reimagining of the 1992 nanny-from-hell thriller, now darker and more psychological. Directed by Michelle Garza Cervera, it’s sleek, seductive, and full of domestic dread. Trust is earned—and easily weaponized.
Fate (2025) – [Comedy/Drama]
For fans of: The Durrells, Call My Agent!, The Bear
Set in Spain’s bullfighting world, this offbeat comedy follows a shy cab driver and a washed-up matador whose lives collide in unexpected ways. Ricardo Gómez and Óscar Jaenada bring charm and chaos to a story about luck, legacy, and unlikely friendship. Destiny rides shotgun.
The Balloonist (2025) – [Drama/Romance]
For fans of: Amélie, The Guernsey Literary Society, The Hundred-Foot Journey
When an arrogant balloon pilot crashes into a chicken coop, Gaby’s quiet life is upended in this whimsical Dutch drama. Sallie Harmsen and Pieter Embrechts lead a cast full of quirky charm and emotional depth. Love floats—until it lands hard.
Tempest (2025) – [Spy Thriller/Romance]
For fans of: Vagabond, Designated Survivor, The Night Manager
Jun Ji-hyun and Gang Dong-won star in this South Korean thriller about a diplomat and a secret agent caught in a conspiracy that threatens peace on the peninsula. With John Cho and Lee Mi-sook, it’s stylish, suspenseful, and emotionally charged. Espionage meets intimacy in a storm of secrets.
Betrayal (2025) – [Espionage/Drama]
For fans of: Slow Horses, The Honourable Woman, The Capture
Shaun Evans plays an MI5 agent facing a shifting security landscape and personal collapse in this ITV thriller. Romola Garai and Nikki Amuka-Bird add emotional weight to a story of loyalty, secrecy, and modern surveillance. The enemy isn’t always foreign.
The Man in My Basement (2025) – [Psychological Thriller]
For fans of: The Night House, The Stranger, The Rental
Corey Hawkins and Willem Dafoe star in this eerie adaptation of Walter Mosley’s novel, where a man rents out his basement to a stranger with a disturbing agenda. Directed by Nadia Latif, it’s claustrophobic, philosophical, and racially charged. The deal is simple—the consequences aren’t.
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